Join us for a virtual studio visit and live demonstration at Paupers Press, London with artist and printer Michael Taylor.

The Brandywine Workshop and Archives (BWA) is a non-profit cultural institution that promotes printmaking as a fine art by engaging artists and audiences from diverse, often transnational, backgrounds; offering community-based educational opportunities, and producing and sharing art to build bridges among global communities.

IFPDA Foundation Book Award winner, “Prints and Their Makers” pays homage to the distinct (yet sometimes overlapping) roles of the artist, the printer, and the publisher. Join this conversation with author Phil Sanders.

Join us for a virtual studio visit, live demonstration, and a conversation with Felix Harlan and artist Kiki Smith.

Featuring a virtual studio tour, as well as prepared slides of notable prints, editions, and artists with whom he has collaborated, Siqueiros will discuss his career, which includes his early work at Cirrus Editions, and the myriad of experiences and influences that led him to his present work at El Nopal.

In this series of talks, speakers will discuss color linocuts made by artists affiliated with the Grosvenor School (known as the Grosvenor School artists) and their creation, exhibition, reception, and marketing over a series of decades.

Jennifer Roberts will provide an overview of her recent A.W. Mellon lectures Contact: Art and the Pull of Print and then will discuss, with Raftery and Adamson, the ideas set forth in the lectures.

Join Michael Govan, Glenn Lowry, Sir Norman Rosenthal, and Sasha Suda for a conversation about the impact of prints on their respective museums, on their careers, and on them personally.

Join us for a virtual studio visit and conversation with the makers and publishers of the portfolio celebrating The Met’s 150th Anniversary.

Organized in association with IFPDA, this symposia presented by the Association of Print Scholars explores the past, present, and future of printmaking studio practices, specifically examining how the medium has evolved conceptually, culturally, and as a dialogic artistic practice.

In this series of talks, speakers will discuss color linocuts made by artists affiliated with the Grosvenor School (known as the Grosvenor School artists) and their creation, exhibition, reception, and marketing over a series of decades.

Leslie Jones and Debora Wood will present the origins of computer-generated prints and the creative applications of new technologies from the 1950s through the 1980s.

This talk looks at a range of printed art that may or may not be identified by its maker as “prints”. These works raise intriguing questions about what it is we actually want from art and why. They may also supply unexpected answers.

Organized by International Print Center New York (IPCNY), this two-part series engages artists from IPCNY’s exhibition Present Tense: New Prints, 2000-2005 and explores their defiant embrace of forms traditionally regarded as craft, ornament, and the feminine.

Join Nadine Orenstein and Drue Heinz in conversation about a range of perspectives and approaches on the theme of relief prints – woodcuts and linocuts - offering insights into old master woodcuts as well as the media’s use by modern and contemporary artists.

In this series of talks, speakers will discuss color linocuts made by artists affiliated with the Grosvenor School (known as the Grosvenor School artists) and their creation, exhibition, reception, and marketing over a series of decades.

Starting with Gilbert Stuart’s legal and public battle to control copying, and the circulation of his portraits of George Washington, this lecture explores the roots of an early nineteenth-century understanding of art as intangible property.

Join us for a virtual studio visit, live demonstration, and conversation at Highpoint Center for Printmaking (Minneapolis).

Organized by International Print Center New York (IPCNY), this two-part series engages artists from IPCNY’s exhibition Present Tense: New Prints, 2000-2005 and explores their defiant embrace of forms traditionally regarded as craft, ornament, and the feminine.

Join us for a conversation with author Jenny Uglow as she sheds new light on the dynamic artistic partnership of Cyril Power and Sybil Andrews.